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Over the years my professional career as an IT/information security expert has grown, and I am currently consulting and speaking to pay the bills. During this time, I pretty much abandoned photography. Finally about 6 years later I completed my degree, got married, and got a “real” job. I went through the rest of college taking pretty decent snapshots (although I looked at one old album the other day, and see a few shots that show promise, if only I had known what to look for….).ĭuring and right after college, I spent much time trying to “find myself”… including some years waiting tables and working sound for bands and working in a recording studio (I’m also a frustrated musician – would love to play an instrument well, but only play drums badly…but I do have a good ear and can work a mixing/recording console pretty well). I didn’t really have an exposure to photography as art, and never pursued it (much because of the early frustrations of bad images and the cost of film/processing….). At that time, I always wanted to be good at art, to be able to create things of beauty, to express myself, but I wasn’t very good at the usual art forms…drawing, painting, etc, and I gave it up. Anyway, I learned some basic technical skills with it.
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For those who don’t remember it the K1000 was a workhorse, a completely manual SLR that was built like a tank.
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I have been in and out of photography since the late 70s/early 80s, when in high school I bought a used Pentax K1000 and 50mm lens and taught myself how to use it.
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So this long post is that background….feel free to skip to the end, as I can be long-winded :) I said back then I was jumping in….to do so fully, I think I need to present answers to some of the questions that DAH posed to Guido (and that Erica has subsequently posed to me, hopefully she will see them when she’s done eating dust-books and comes down from meditation-scarf induced flight). I just added them up (ok, so I’m a little OCD)…in the time since I’ve started reading here (just before the self-portrait “general” assignment) there have been over 5,500 comments…amazing!
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You and Marina were in one all night long dream last night.you had just come to visit, crazy stuff, we were eating old books that had turned to dust and I was showing Marina how I fly with just my meditation scarf extended in my arms for loft.am outright exhausted from it this morning, but holy sh.t.looking forward to your stay. The exhibition spans over 20 years worth of photography and installations. Each photograph is unsentimentally stamped to mark that day and laid out like a calendar of regret. Viewers lined up to “read” through what the artist describes as her most profound personal pain. Calle’s exhibition begins with a narrative covering 92 days leading to the end of a relationship. Her photographic work often includes panels of text of her own writing.įor her exhibit ‘Take Care of Yourself’, Sophie Calle asked 107 women, chosen for their profession or skills, to interpret this letter, to analyze it, comment on it, dance it,sing it – all in the form of texts, of photographs and videos.
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She is recognized for her detective-like ability to follow strangers and investigate their private lives. Her work frequently depicts human vulnerability, and examines identity and intimacy. To save time, some cut and paste, disjointed notes. Keep wondering if you familiar with french artist Sophe Calle who works with the written and photo narrative? I know KELLY is coming as well, going to be a good night.Am a bit happily stunned at the guests EUGENE AND BRUCE. AM very much looking forward to this one.one of the rewards of living in NYC.excited too to see ANNA B’s work.and hopefully to see GINA there.